An Eclectic Mind

Stop in for a hamburger in the middle of nowhere.

I’ve written about the Wayside Inn before in this blog. In my post, creatively titled “The Wayside Inn,” I go into a lot of detail about the place and a visit there by helicopter back in 2003. You might find that piece interesting reading if you enjoy long, rambling stories about my helicopter travels. (Some people do.)

The short version is that the Wayside Inn is a small trailer park with a restaurant in the desert about 5 miles south of Alamo Lake. It’s accessible from Wickenburg and the rest of the world by two routes: the 40+ mile long dirt road that starts near Date Creek off Highway 93 or the combination of paved and dirt roads starting in Wendon (on Highway 60) and stretching to Alamo Lake. There’s another road from the north and I have no idea where it starts, but I do know that when the lake is full, the road is under water.

You can get an idea of its remoteness by this Google satellite image, which also includes Wickenburg. The red X is the Wayside:

The Wayside Inn has been a destination for pilots for quite a while. It has a landing strip, but the strip has been left to get overgrown with bushes and weeds and is not maintained. So instead, pilots just land on the dirt road in front of the place. I’ll admit that there aren’t many pilots who do this. It’s mostly the folks who fly taildraggers and aren’t afraid of landing on something that isn’t a real runway. And helicopter pilots, of course.

About a year ago, the Wayside Inn burned down. I didn’t know the details, but had noticed that the building was missing when I flew from Wickenburg to Las Vegas last November. The building was simply gone.

But a few weeks ago, I saw a flyer up in Ed’s hangar. Ed is the local aircraft mechanic and he does some of my engine work, including oil changes. The flyer announced that the Wayside had reopened. I put it back on my mental list of places to go for a quick bite to eat in the middle of nowhere.

On Sunday, October 19, I had an opportunity to check the place out. I was taking a video guy and a journalist along on my Southwest Circle Helicopter Adventure. Another video guy would be meeting us in Sedona. We had a few hours to kill before we were due to arrive at Sedona Airport. I figured that a stop a the Wayside would kill some time without taking us too far from our course.

So I flew us out there. The journalist took this photo as I made my approach to landing. I set down on the big triangular area at the crossroads, across the main road from the trailer park.

The old building had been replaced with a double-wide manufactured building. Inside, the layout was much the same as the old building had been: bar, tables, pool tables, and a limited amount of groceries and fishing supplies for sale. All of the Polaroids of fishermen and their fish were gone. The drop ceiling panels were decorated with good-luck dollar bills signed by patrons. Before we left, we added one to the collection.

The video guy, Fred, interviewed the owner of the place. Turns out, he’d bought the place right before the fire had burned it to the ground. After the interview, he made us breakfast. When it was time to leave, he rode his ATV out to the helicopter with us while his dog rode on the back and asked my journalist friend why she hadn’t eaten her bacon. (She’s a recovering vegetarian.)

We’d stopped in for just about an hour. The meal was good, the price was reasonable. The atmosphere was pure Arizona “remote.”

If you’re ever out by Alamo Lake and want to stop for a bite to eat, I hope you’ll look for the Wayside Inn. If you stop in, tell them that Maria in the Red Helicopter sent you.

Related Posts:

• Helicopter Flight from Wickenburg to Las Vegas (November 29, 2007)
• Arizona Helicopter Pilots Group Looking for New Members (September 12, 2006)
• Flying for Food (November 21, 2005)
• The Wayside Inn (December 7, 2003)

Or why I won’t stay in a Best Western again.

This past week, I spent three nights in a Best Western motel in Page, AZ.

There are two Best Westerns there. I stayed in the one that had no hot water for more than 24 hours during my stay.

I learned about the hot water problem when I returned to the hotel at about 8 PM on Friday night. At the time, I was told that it was unlikely that the hot water would be working before Monday. I was due to check out on Sunday.

I was paying for not just my room, but the rooms for three other guests. Since they were my guests, I felt it necessary to take action when the hot water system in the hotel broke down. Although I was on my way up to bed — I was going to be picked up at 6:00 AM the next morning by an aerial photography client — I asked the desk clerk to find alternative accommodations. I told her not to call me that night since I was going right to bed. I told her I’d check in at the desk in the morning to see what she’d found us and would talk to my guests about our options the next day.

At 5:00 AM the next morning (Saturday), I gathered up some clean clothes and prepared to walk down the block in the dark to the Travel Lodge, where the cold water Best Western had arranged for its guests to shower. (I can’t make this stuff up.) I stopped at the desk in my hotel, where I was shown a reservation for four rooms and two nights at the other Best Western in town, which I assumed still had hot water. I took the reservation sheet, put it in an envelope with a note, and slipped it under the door of one of my guests. I showered and dressed at the Travel Lodge, then walked back to the cold water Best Western. A little after 6 AM, my clients arrived and I went to work with them.

At around 11 AM, I finished with my clients and met with one of my guests. He told me that the hot water problem had been fixed. I called the other Best Western to cancel the reservations that had been made in my name.

And that’s when the shit started hitting the fan.

Apparently, the clerk at the cold water Best Western had used my credit card to reserve the rooms. The hotel has a 24-hour cancelation policy and refused to cancel the reservation.

In the meantime, we were all still checked in at the cold water Best Western (which now had hot water). My guests didn’t want to move. I didn’t either.

I need to make it clear to all that I never authorized any charges to my credit card for any hotel other than the one we were staying at.

I called several different parties at the Best Western hotel chain. After a lot of time on hold and call backs and excuses, I was told that my reservations would not be cancelled.

Today, I found four pending charges on my credit card statement for $157.73 each. There was also a $1 charge from Best Western.

Of course, I have no intention of paying these charges.

I’m absolutely appalled at the poor customer service of the Best Western chain. Specifically:

• The failure of the Best Western Arizona Inn to promptly and professionally handle a failure in its hot water system.
• The unauthorized use of my credit card by the clerk at the Best Western Arizona Inn to book hotel reservations that could not be cancelled.
• The failure of the Best Western Lake Powell to cancel the hotel reservations made without authorization by another Best Western hotel employee.
• The failure of the Best Western customer service department to cancel the hotel reservations made without authorization by a Best Western hotel employee.

Clearly, these people don’t care about their customers. Clearly, they have no understanding about customer service. Clearly, they have no problem fraudulently charging a customer’s credit card for reservations made without authorization.

I have called and written to the Best Western numerous times about this matter. They have not satisfactorily resolved it. Now I have to go through the bother of starting chargeback procedures with my credit card company. I may also need to press charges with the police against the Best Western employee who used my credit card without authorization, thus resulting in this nightmare of customer service failures.

Do you think I’ll stay at a Best Western again? Not likely. And I suggest that anyone reading this think about my customer service experience with this hotel chain before booking a room there.

Traveling again.

If you’re wondering why you haven’t heard from me here in a while, it’s because I’ve been traveling. I’m doing one of my Southwest Circle Helicopter Adventures in northern Arizona, accompanied by a video crew and staff writer for a respected travel magazine.

The goal of this trip is to gather about 90% of the video needed to create three individual broadcast-length videos, each of which will be made available on DVD. It’s a huge project and, so far, we have at least 20 hours of raw video footage to wade through.

I’m flying with a door off and a video guy on board taking glare-free video images of what we fly over. He also has at least two POV.1 cameras mounted inside the helicopter at all times. The other video on the ground is “chasing” us — actually, he’s getting a big head start each day to drive to the airport where we’ll land before we arrive — and taking video of us landing. Then there are cameras whirring all over the place on the ground.

The writer is sitting up front beside me, taking notes and using my Nikon D80 to shoot images of what she sees. Although a good portion of the shots have some unfortunate glare — not much you can do about that when shooting through Plexiglas — many of them are really good. Like this shot she took of a herd of wild horses we overflew on the Navajo Reservation two days ago.

It’s been a busy week so far. Although I’m trying to demonstrate to the writer what my Southwest Circle Helicopter Adventure is all about, I’m also working with the video crew to make sure we capture all of the footage we need for our three videos. I’m hoping she understands that my usual clients won’t be rushing around like nuts all day.

I’m treating myself to a few of the activities my excursion guests get to enjoy. For example, on Tuesday, I joined the crew for a boat ride on Lake Powell that visited the “business side” of the Glen Canyon Dam before squeezing about a mile up Antelope Canyon (see photo) and gliding up Navajo Canyon for a look at the “tapestry” of desert varnish on some cliff walls. I skipped the Sedona Jeep tour and Monument Valley tour to work with one of the video guys or just rest up. Normally, while my guest are touring, I’m scrambling to get the luggage into their hotel room and confirming reservations for the next day. You might imagine how tired I am after 6 days of playing pilot and baggage handler.

At this moment, however, I’m sitting at the dining table of a double-wide mobile home near Goulding’s Lodge in Monument Valley. (Long story; believe it or not, the only lodging we cold get here in MV was in a pair of mobile homes that are part of the lodge.) I have the front drapes drawn aside so I can watch the eastern sky brighten for what promises to be a classic silhouetted butte sunrise. I always enjoy my dawns here at MV. Seeing the famous buttes outside my window is always surreal.

Today, we were scheduled to fly down to Winslow for lunch, then tour Meteor Crater and the Grand Falls of the Little Colorado River. Normally, the Southwest Circle Helicopter Adventure takes this route on the way to its last overnight stop at Flagstaff. But today we’ll probably go straight back to Page. I have four aerial photo shoots at Page starting on Friday morning; the money I make doing them will pay for this video excursion. We’ll do more video between those flights. Then we’ll hit the Crater, Falls, and Flagstaff on our way back to the Phoenix area on Sunday.

It’s a big trip and a bunch of huge projects. Just the kind of thing to keep me busy between flights for the winter season. But if all works well and as planned, I might be flying this route weekly in the coming spring and fall — with real paying passengers to take care of along the way.

How much can I squeeze into a 2-1/4 x 2 inch box? Quite a bit, it seems.

I’m working on a huge and rather costly marketing plan for Flying M Air. My goal is to push the multi-day excursions Flying M Air offers in Arizona, as well as the new Lake Powell houseboat/helicopter photography excursions we’re planning for next spring.

The entire marketing strategy will include a DVD video which has already been accepted for broadcast on at least one California television station. We’ll be “filming” that in mid to late October.

Right now, I’m working on print advertising. Today, I created a 2-1/4 inch wide by 2 inch tall advertisement for the Travel Directory of a relatively popular magazine. The challenge was to have a catch headline, say as much as I could about the excursions, show a photo, and provide contact information — all using my company’s “branded” color scheme and design. You’re looking at the result.

I created the ad in InDesign CS3 using design elements from my original brochure, which was designed by David Van Ness. The font is Optima, which is the “official” Flying M Air font. The photo is of Gregory Butte on Lake Powell, taken by my husband, Mike, a few years ago. I placed it at a 3° angle with a white frame and drop shadow to mimic the design on the brochures and Web site. Although it might not seem that way, the ad is legible — even by me! — when printed. It should look great on the page beside ads for the Amazon and Galapagos.

My next task is to freshen up the Flying M Air Web site with some new images and up-to-date pricing. I hope to get to that sometime this week.

I figure that I probably save at least $10,000/year by being able to do my own layout work. Once David created the basic design for my brochure, I was able to modify it as necessary for the Web site, business cards, rack cards, print and online ads, and other brochures. Best of all, since I have complete control over all documents, I can make changes whenever it’s time to reprint.

Anyone else out there handing all their business marketing needs? Want to share any ideas with the rest of us?

Has the ease of digital photography eroded the craft?

The September 2008 issue of Arizona Highways magazine proclaims that it is “The Photo Issue.” If you know Arizona Highways, that might seem a weird idea. After all, Arizona Highways features truly extraordinary photos of Arizona in every issue. What makes this issue different?

The main difference is a pair of articles highlighting the work of two professional photographers, George Stocking, who works with digital equipment, and Jack Dykinga, who works with film. There’s also a portfolio of black and white images, many of which appear to have been taken relatively close to where I live in Wickenburg.

My Change from Film to Digital

But it’s the digital vs. film argument that intrigues me. I used film for years and continued to use it for what I considered my “serious” attempts at photography until 2003 or 2004. Back in college, I took a semester-long photography class which introduced me to photographic composition and gave me basic darkroom skills. When Mike and I moved to New Jersey and had a basement, we set up a darkroom. (We still have the enlarger and other equipment in storage.) I had (and still have) two Nikon 35mm SLRs — a matched set of N2002s that can share lenses. I’d put black and white film in one camera and color in the other.

I’ve had a digital camera since the mid 1990s. (Yes, I was the owner of an Apple QuickTake.) As technology improved and prices came down, I upgraded regularly — at least once every two or three years. I bought pocket-sized point-and-shoot models — mostly Canon PowerShots — that I’d carry in my purse and use when I wanted a decent-quality photo when I was out and about.

[At this point, I'd originally written a summary of our experiences with a Pentax 67 for aerial photography. In an effort to shorten up this post, I pulled it out and posted it separately: "Our Foray Into Aerial Photography."]

Years went by. I realized I was using my pocket-sized digital cameras more than my SLRs. A lot more. In fact, for a while I wasn’t even sure where those SLRs were.

Then we planned a trip to Alaska in June 2007. I wanted to be “serious” about photography. So I bought a new camera, my first digital SLR: a Nikon D80.

I picked the Nikon because it would use the two lenses I already had: a 50mm and a 28-85mm. I brought it all along on the trip and took some photos. They came out okay. I realized that I was just snapping away, as if I were using one of my pocket cameras. I wasn’t thinking about shooting. I was being a tourist and taking tourist photos.

Here’s an example. This photo, which I call “Mercury,” is one of my favorites from the trip. The light is bad, but I really love the reflection of this boat. When you consider I snapped over 300 images in two weeks on this trip and I saw some amazing things along the way, I find it odd that this should be one of my favorites.

In my defense, we had a relatively tight schedule and limited means of transportation. We covered a huge area in about 2 weeks. It was an area we didn’t know, so I had no ideas of where to go for a photo shoot. The weather was overcast with bad light for a few days. And then there was Mike, who hadn’t come to take pictures. He wanted to see as much as we could. So we didn’t really have the best conditions for photography. It was more like a scouting trip.

But having the camera and knowing its capabilities, prompted me to practice the art of photography. It’s become a serious hobby again.

Jack Dykinga’s Thoughts on Digital Photography

And that brings us back to the Arizona Highways articles.

From the article highlighting Jack Dykinga:

Dykinga thinks the ease of digital photography has contributed to an erosion of the craft. “Just because you can, you do,” he says. “The images are completely disposable. You can keep shooting digital all day, even through the worst light, and although none of it might produce great pictures, it might still be marketable. You can correct it all in Photoshop. That starts compromising your values. Where, if you’re really going after just one or two shots a day, you’re concentrating all your efforts into one thing, like throwing a shot put.”

This is an interesting twist on something I’ve been saying since starting to use my digital SLR. I’ve been arguing that the ease of using a digital camera gives you the power to experiment. Unlike Mr. Dykinga, I’m not a professional. I’ve never sold a photo and don’t expect to. I’m still learning and I expect to continue to learn forever.

When I used film, I’d go out and shoot and come back and get the photos developed — or do it myself in a darkroom. It could be days or weeks between the photo shoot and actually seeing the images. There was a cost involved, too, and the more I shot, the more it cost. These are not good conditions for experimentation.

But when I shoot digital, I can immediately see, in the back of my camera, a tiny version of the image I just shot. I can check exposure at a glance. I can zoom in to check focus. I can turn on automatic exposure bracketing and let the camera make multiple versions of the same image so I can see which exposure works best. I can also snap various images of the same subject from different angles to experiment with framing, focus, and exposure. Because it costs the same to shoot 300 photos as it does to shoot 3, I don’t have to worry about cost.

This is, of course, what Mr. Dykinga is saying. But while he’s talking about professional photographer getting lazy by shooting a bunch of stuff without really thinking about it, I’m shooting a bunch of stuff to learn more about what works so I can think about it.

I do agree with what Mr. Dykinga says. But there’s no way that could convince me to go back to film. I can’t afford it — in time and money — if I want to be a better photographer.

Mr. Dykinga has the ability to go to a place and see the shot before he even unpacks his camera. He’ll spend a lot of time with his complex and somewhat archaic equipment to make a handful of photos. They’ll all be incredible masterpieces of fine art. This comes from a lifetime as a photographer, doing it every day for a living.

Me, well I’m just trying to learn how to increase the quality on a higher percentage of what I shoot. I’m at the point where I won’t take a photo if I know it won’t come out good without a lot of help from Photoshop.

I think what Mr. Dykinga is trying to say is that serious photographers should not get lazy about photography. We should think about every shot and try to make every single one a high quality work of art.

I’d like to do that. I just need more practice to learn how.

A Final Word about Arizona Highways

Arizona Highways is a great magazine about Arizona. It’s published by the Arizona Department of Transportation, and other than ads about Arizona Highways publications, it’s ad-free. It features excellent photography and articles about Arizona history and activities.

If you’re interested in photography or Arizona, I highly recommend subscribing — or at least picking up an issue at the newsstand. It’s only through our support that this fine magazine will continue to be published, as Arizona faces budget shortfalls that threaten its existence. Be sure to check out various books and other publications listed in the magazine and on its Web site.